Miles Teller on his character Sutter Keely in "The Spectacular Now": "The script was so good. I knew that I could play this part because I knew that I was very similar to Sutter. If you strip away our differences—I always knew I would be successful and go to college and my parents are still married—I could understand him. There's always stuff you deal with that no one knows you're going through. Shailene and I just talked about what felt right in the scenes. We'd go hang out, walk around, get food, and go thrift-shopping. Shailene is certainly different from a lot of actresses that I’ve met and that I've worked with. I think The Spectacular Now is one of the first movies to deal with teenagers honestly in a long time. There's no escapism. It's real and in your face."
The Spectacular Now never once feels like a cautionary tale. The Spectacular Now is not a light movie, and it never veers into easy sentimentality. Although Sutter’s fidelity to the present moment often seems like superficial evasion, the movie makes it clear that it’s not that simple. Sutter’s presence of mind is, after all, what led him to notice Aimee Finicky in the first place. Source: observer.com
"Lately, my hangovers have started to take on a mean streak. It’s the opposite of that fine redemption feeling—a vague, weird guilt instead. Maybe it’s just a chemical thing, the old brain misfiring, the wiring shortcircuiting. For some reason, as soon as my eyes open, I start in worrying about Aimee. I didn’t do anything but try to build the girl up. She liked the kissing. There’s no doubt about that. I would’ve laid another one on her when I took her home, but I ended up having to hold her hair while she puked off the side of the porch instead.
But what happened between the time we left the pier and when we said good night is a little sketchy. I keep trying to remember what all we talked about on the drive home, but my memory is like a broken watch that you can’t find all the pieces to. I know we talked about doing something else together, but I’m not sure what it was. There’s a gnawing feeling that I might have told her I’d take her to the prom, but that might just be a trick the hangover’s playing on me. I mean, why would I do that?"—"The Spectacular Now" (2013) by Tim Tharp
Miles Teller (Whiplash) was already an accomplished drummer after spending his high school years playing drums in a band he started in his Pennsylvania church youth group. "I played piano, saxophone, drums, and guitar, but for me, drumming was something that came more naturally and if I was better at it, I would have loved being a musician. But I just wasn't good enough."
He’s a surprisingly ordinary-looking baby-faced guy who charmed his way out of the manatee-infested Confederate backwater of Citrus County, Florida, where his dad worked for a nuclear-power plant (until it recently cracked and shut down after being deemed too expensive to fix) and his mother sold real estate (until the market crashed). Teller played baseball, saxophone, and drums—in a church youth-group band (“Hard-rocking for Jesus”)—while acting in school plays. Teller worked at a restaurant called Crackers and was into the Grateful Dead. His best friend is still a guy from high school, who’s now a Navy SEAL. What they had in common was ambition: “We’re not content with just being a part of a bigger collective,” he says. Source: www.vulture.com
"I didn't know necessarily if I would have an opportunity to play the lead character because I realise, at times, it's a very superficial business," Teller says bluntly. "For a while, I would go into an audition and the casting director would say, 'Oh, Miles, very good actor, but it doesn't make sense for the character to have scars' because they used to be a lot worse before I had a bunch of laser surgery. It took a little bit for me to understand the severity of the accident and how lucky I was to survive. I had the doctors tell me that 99.9% of the time when you get in a car accident like that, you are dead or paralyzed. For a couple years, it was very significant to me, but at this point I don't even notice the scars. Source: www.harpersbazaar.com
The Spectacular Now is gorgeously shot—on 35mm—rich with warm, full tones. There’s one really beautiful Steadicam two-shot, a long take set at a riverside keg party, in which the chemistry between these two characters is almost palpable—you can just about see them falling in love in front of your eyes. If it weren’t for prominent appearances on the soundtrack by the likes of Washed Out, Kurt Vile, and others, this story could easily have been set any time between the early ’70s and now, so effortlessly hazy is its mood. Discounting Elizabeth Mims and Jason Tippets’ deceptively simple documentary Only the Young, no film since Gregg Mottola’s Adventureland has so affectionately portrayed the fumbling and attendant foibles of late adolescence as this. Source: www.listener.co.nz
Kristen Stewart and Jesse Eisenberg in "Adventureland" (2009)
Lex Luthor will be present in the big DC team-up, with Jesse Eisenberg revealing at MCM Comic Con that he’ll be reprising his role from Batman v Superman: Dawn of Justice (2016). Justice League will reunite stars Henry Cavill as Superman, Ben Affleck as Batman, Gal Gadot as Wonder Woman, Ray Fisher as Cyborg, Jason Mamoa as Aquaman, Ezra Miller as The Flash, Amy Adams as Lois Lane, Jeremy Irons as Alfred Pennyworth and Jesse Eisenberg as Lex Luthor alongside J.K. Simmons (Whiplash) as Commissioner Gordon, Amber Heard (The Danish Girl) as Mera and Willem Dafoe (Spider-Man) in an as-yet-unrevealed role. Part One is set for release on November 17th 2017, with Part Two following on June 14th 2019. Source: www.flickeringmyth.com